Da Vinci’s Treasure is a video slot that’s playable on desktop only. It has five reels, three rows, and 25 fixed paylines with bet sizes ranging from 0.25 to 125 coins. The RTP of this highly volatile game is set at 96.53%. The Treasure Bonus Game. First Deposit Only. Deposit: €20, max. WR of 60x Bonus amount (only Slots count) within 30 days. Max bet is 10% (min €0.10) of the Bonus amount or €5 (lowest amount applies).

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Da Vinci’s Treasure Slot Game Review

Go hunting for Da Vinci's Treasure in this slot game which happens to be developed by one of the most known gambling companies in the world. Da Vinci's Treasure online slot machine has the regular five reels and is packed with twenty-five paylines. I have fantastic news for all the players out there because they can play on any mobile device that they choose, whether its the tablet or a mobile phone. As for the betting range of Da Vinci's Treasure online game, it is definitely wide, starting from a small bet of €0.25 to a max bet of exactly €125.

Read my detailed review regarding Da Vinci's Treasure slot machine, and you'll be amazed at what does this game brings to the table!

How to Play Da Vinci’s Treasure Online Game?

Da Vinci

What is notable to say, is that the icons with not so big value are the cards you can find in a deck and they go from ten to A in Da Vinci’s Treasure online slot. Now, onto the symbols which have much bigger worth and they are in the following list:

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  • Books
  • Crossbows
  • Knapsacks
  • John Hunter

Among the four symbols, the most valuable in Da Vinci’s Treasure game is surely John Hunter which comes with a 32x multiplier. Da Vinci himself happens to be the wild symbol of this slot. The wild is going to show up on every reel with the exception of the first and the fifth reel. The main function of the wild is to serve as a type of replacement for every icon in Da Vinci’s Treasure game. The code wheel represents the scatter symbol of this online slot machine. It can only show up on the fourth, third and second reel of Da Vinci’s Treasure. If you get three code wheel icons one of the following three bonus features will be awarded to you in a random manner:

  1. Progressive Multiplier Free Spins- you can get a maximum of twelve free spins, and a 1x multiplier will be attached to every free spin you acquire. You have the possibility to get sixty free spins and a 60x multiplier if you re-trigger this special bonus feature for some time in the Da Vinci’s Treasure online game.
  2. Map Quest- you will be presented with a 23-square treasure map in this Da Vinci’s Treasure Feature. By advancing on the board, you can get some lucrative rewards, meaning a 100x multiplier.
  3. Prize Picker- You will be presented with a choice, where you would have to select one of three objects in order to acquire some money.

Something that is necessary for every newbie but also an experienced gaming fan is that Da Vinci's Treasure has an RTP of 96.53%, which definitely happens to be a great return to the player percentage, considering the demanding standards of Pragmatic Play gaming company.

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Conclusion

Da Vinci’s Treasure is one of those games which will impress you with its bonus features and a stunning visual display but also with the very entertaining gameplay. I recommend to all the gaming admirers that they try and play Da Vinci’s Treasure game and win some real cash!

...Leonardo's masterful technique
Movie
According to Louvre Curator Jean-Pierre Cuzin, 'The entire history of portraiture afterwards depends on the Mona Lisa. If you look at all the other portraits – not only of the Italian Renaissance, but also of the seventeenth to nineteenth centuries – if you look at Picasso, at everyone you want to name, all of them were inspired by this painting. Thus it is sort of the root, almost, of occidental portrait painting.'
In a break with the Florentine tradition of outlining the painted image, Leonardo perfected the technique known as sfumato, which translated literally from Italian means 'vanished or evaporated.' Creating imperceptible transitions between light and shade, and sometimes between colors, he blended everything 'without borders, in the manner of smoke,' his brush strokes so subtle as to be invisible to the naked eye.
Leonardo was fascinated by the way light falls on curved surfaces. The gauzy veil, Mona Lisa's hair, the luminescence of her skin – all are created with layers of transparent color, each only a few molecules thick, making the lady's face appear to glow, and giving the painting an ethereal, almost magical quality.
'Today's art critics call attention to the painting's mystery and harmony,' says Cuzin. 'But the first art historians to describe it emphasized its striking realism, pointing out 'the lips that smile' and 'the eyes that shine.' Giorgio Vasari, for example, wrote in his early biography of da Vinci, Lives of the Painters: 'As art may imitate nature, she does not appear to be painted, but truly of flesh and blood. On looking closely at the pit of her throat, one could swear that the pulses were beating.'
The realism of his painting is a result of Leonardo's diverse scientific observations. From the study of human anatomy he developed a mathematical system for determining size in space, perspective that is incorporated in the way Mona Lisa's torso, head and eyes are each turned a little more toward the viewer. Da Vinci also observed differences between the subject and objects in the background, and used aerial perspective to create the illusion of depth: the farther something is in the distance, the smaller the scale, the more muted the colors and the less detailed the outlines.

'Leonardo has studied the sky, the elements, the atmosphere, and the light. He takes the approach of a scientist, but translates it into the painting with superb delicacy and finesse. For him the painting doesn't count. What counts is the knowledge,' observes Cuzin. 'In the same painting we move from soft places like the clouds to areas of extreme intricacy and fine detail. For example, around the neckline of the lady's dress we have delicate interlacing embroidery. The contrast of these different areas creates a cohesion that is very rare in painting.' All this we now take for granted. The Mona Lisa looks so natural, and so familiar, that we forget how innovative the painting was at the beginning of the sixteenth century.
Even the use of landscape as background was a departure from tradition; Leonardo saw creative and fictional possibilities in it. 'The background may be a representation of the universe, with mountains, plains and rivers. Or possibly it is both reality and the world of dream. One could suppose that the landscape doesn't exist, that it is the young woman's own dream world.' (Cuzin)
And one could suppose she dreams sweet dreams, and perhaps that is why she smiles...

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